BANCO
1997-03-15 - Falzè, IT
Acoustic set - Premio Darwin
Maclen's archive - unreleased live audio - trading only -
not for sale!
Thanks to all those who shared recordings, artwork, memorabilia and recollections of the shows


"LDB Special Series #367"
1997-03-15 - Falzè (Treviso), IT - Auditorium - aud (88m) (2cd)
Francesco Di Giacomo, Vittorio Nocenzi, Rodolfo Maltese, Filippo Marcheggiani

1) RIP (8:09) *
2) IL RAGNO (9:00) **
3) METAMORFOSI (12:47)
4) FREVO (8:41) $
5) PIPPO (improvising) (2:01)
6) TIRAMI UNA RETE (4:59)
7) EMILIANO (5:57)
8) L'EVOLUZIONE (8:37)
9) NON MI ROMPETE (14:12)
10) 750000 ANNI FA...L'AMORE (encore) (9:27)
11)
PASSAGGIO > TRACCIA (4:54)

* Nocenzi: "Grazie, grazie".
** Nocenzi: "...Veramente due parole sarebbe il caso Francesco di spenderle per questo nostro progetto è accaduto che dopo tanti anni abbiamo deciso di suonare senza la grande elettricità...".

Source: Lineage: Aiwa microphone CM-30a > Sony Professional WM-D3 > Tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD >
SoundForge 7.0 > CD Wave > FLAC Frontend (level 6).

[BMS 19970315 Falzé] Flac set shared as torrent on Dime by metro_cubo.
TLH analysis - fingerprints

"I have attended over 500 shows in my career. I really like the live spirit because you can really test if a band is just
a fake in studio or if they are really a shining star in concert. capturing the moment by recording it means being able
to listen to it once again and have a sort of "re-play" of the moments I enjoyed during the show.

Some of the best shows I have attended were Pink Floyd in Chantilly 1994, Miles Davis Paris 1991, Porcupine Tree Milano 1997,
Marillion Bologna 1985, Paul McCartney Milano 1989, Pearl Jam Milano 1992, Rush Stuttgart 1992, Mercury Rev Milano 2001,
Dream Theater Paris 1992, Genesis Milton Keynes 1992, Magma Paris 2009, Pat Metheny Group Milano 2005, Radiohead Verona 2001,
Santana Milano 1984, Peter Gabriel Paris 1983, Supertramp Paris 1983, U2 Milano 1992 and many more

I truly believe that live music is what keeps music alive, what make us enjoying it together, what allow us to
have deep feelings and transmit it to others. Studio records are nowadays 'commodities': you can buy online as
anonymous wav files and listen in your iPod or at home. Live music will always imply an effort to buy the tix,
see the show, think about it when coming back home". (ldb)


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Page last updated Feb 2014.